Sonic Arts
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Silence and Forest Sentience in Mustarinda, by John Grzinich
Sound artist John Grzinich has published an interesting article on a recent residency he had at Mustarinda. “In October-November 2019 I was fortunate to spend a month experiencing the slow transition between late-Autumn and early-Winter in the forests of central…
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The otherwise heard, that I become, by Brandon LaBelle
Vía Swamp Pavilion: Experiences of listening may be understood to weaken us, making us vulnerable to the intensities of worldly contact and each other. Reflecting upon particular modes of listening, from the empathic to the migratory, understandings of sharing and…
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Sound Art Revisited, by Alan Licht
Bloomsbury has released a revisited edition of Alan Licht’s classic “Sound Art” book, expanding from the initial point stablished in the first edition. The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work…
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Soundscape Journal Vol. 17 and 18 Now Online
The World Forum of Acoustic Ecology announces that two new editions of Soundscape have just been published online: Volume 17 celebrates the 20th anniversary of the Australian Forum for Acoustic Ecology and profiles the incredible diversity of acoustic ecology practice…
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THE BIG BANG and what we left behind (or, hearing loss) | Essay by Samuel Hertz
A message from the editor… How time passes, and how time is felt passing, how time is personal and ever changing its costumes and definitions. Within that what is a moment. Within that what is an event. What is shared,…
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Eco part 4: Xareni Lizárraga
Last year I interviewed Xareni Lizárraga a very interesting artist from Mexico. A few years ago I had the privilege to work with her when I curated her beautiful release Pasto# 1 on Impulsive Habitat and ever since I became…