Electroacoustic
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Eco part 7: Liliana Rodríguez Alvarado
Liliana Rodríguez Alvarado is a Mexican artist with a very interesting job especially in sound improvisation. This is why we interviewed her at Sonic Field. Find the interview in Spanish and English. Q How and when do you find sound…
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Yui Onodera – semi lattice
Sound appears as ghostly seeds of memory that eventually unfold as a universe in which there are infinite listening possibilities. Today’s compositional approaches, such as the one subtlety identified in Yui Onodera clearly expose the multi-dimensional experience of the sonic, always calling for a…
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Solace. BILL THOMPSON (self release 2012) Review by Caity Kerr Bill Thompson’s work is wide-ranging and largely experimental. He should be described as a statement artist, which means that he’s capable of appropriating an idiom or genre, or elements from…
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314
Blue.Hour. YANN NOVAK (Farmacia 2013) Review by Maria Papadomanolaki Yann Novak’s Blue.Hour attempts to capture the eternity of a moment, to transpose it to audible scale; moving in tones that nonchalantly emit nocturnal vapors gradually covering the light. The ongoing…
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291
Two years ago The Field Reporter published its first article (a review of Load by Signed Liden). 730 days later and 290 articles later we hope that the reviews and editorials published have prompted relevant questions, reflections and ideas in regard…
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282
Archaic variations: Localization. VA (Obs 2012) Review by Flavien Gillié John Grzinich dans une réflexion publiée sur le Field Reporter disait récemment : ‘In the mid-90s we were saying ‘I guess we’ll call what we’re doing “experimental music” ‘ Cette…