Acousmatic
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Yui Onodera – semi lattice
Sound appears as ghostly seeds of memory that eventually unfold as a universe in which there are infinite listening possibilities. Today’s compositional approaches, such as the one subtlety identified in Yui Onodera clearly expose the multi-dimensional experience of the sonic, always calling for a…
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Stephan Mathieu – Before Nostromo
Fantasy: is it beyond visual and sonic? Listening: is it beyond visual and sonic? Is listening a fantasy? What’s what is actually hidden in the sonic texture created in the inmmersive situation to which Before Nostromo leads? Very far from being conclusive,…
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385
A Sound Map of the Art Institute of Chicago JOHN KANNENBERG (3Leaves 2014) Review by Cheryl Tipp Recording the “active sounds of history”. This lies at the heart of John Kannenberg’s ongoing interest in the sonic environments of cultural heritage…
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362
The Hebrides Suite CATHY LANE (Gruenrekorder 2013) Review by Cheryl Tipp ‘The Hebrides Suite’ is a multi-layered collection of composed works that reflect Cathy Lane’s ongoing fascination with the Outer Hebrides. A mixture of field recordings, audio diaries, conversations, interviews…
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361
Tracing a boundary. DEVIN DISANTO (Task 2013) Review by Flavién Gillie Que devient le groupe quand il ne joue pas? Devin Disanto publie un disque audacieux, à la forme surprenante, ainsi sur la pochette peut-on lire la liste des artistes…
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360
Between dawn and dusk SABRI MEDDEB (self release 2013) Review by Daniel Crokaert Settled in Brussels since about ten years, Sabri Meddeb, from Tunisian origin is not exactly a newcomer…he has already mixed with some other well-known artists, notably…