philosophy
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What Sounds Do – Open Call for Papers
Inspired by the conference WHAT SOUNDS DO which took place September13-16, 2022 in Copenhagen, Seismograf Magazine is opening a call for audio and research papers on the topic, for a new special issue that points to “new directions in an…
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Listening and Polyphony – Philosophy, Aesthetics, Art
The Polish Journal of Aesthetics has published a new issue dedicated to “Listening and Polyphony. Philosophy, Aesthetics, Art”, with 186 pages and contributions of 15 authors. “Listening and Polyphony: Philosophy, Aesthetics, Arts,” a special issue of The Polish Journal of…
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Listening After Nature: Field Recording, Ecology, Critical Practice
Listening After Nature examines the constructions and erasures that haunt field recording practice and discourse. Analyzing archival and contemporary soundworks through a combination of post-colonial, ecological and sound studies scholarship, Mark Peter Wright recodes the Field; troubles conceptions of Nature;…
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The Auditory Setting – Environmental Sounds in Film and Media Arts
The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or ‘ambience’. Although this sonic backdrop acts as the acoustically mediated…
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The Nomadic Listener
The Nomadic Listener is an augmented book project developed between 2012 and 2019. Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, the book is composed of a series of texts stemming from psychogeographic explorations…
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Salomé Voegelin: “I understand sound, exactly because of its formless in-between nature”
Digicult has published a wonderful interview with Salomé Voegelin, conducted by Leandro Pisano, where they talk about several issues around Voegelin’s research ideas, specially her perspectives around the political possibility of sound, which is the central topic of her latest…