guide
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Sound Maps in the 21st Century
Interesting reflection by sound artist John Kannenberg around sound maps and its current possibilities, challenges and meaning. “Sound maps are boring. Why? I would argue it’s because they’ve become stuck in a rut that began when the idea of ‘sound…
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Field Recording as Art Form, an Introduction by Ableton
Ableton has published an interesting introduction to the art of field recording, focusing specially on its use as an art form, exploring some concepts, sharing some sounds and chatting with two well-known artists dedicated to the art of phonography, Chris Watson…
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A Field Recording Gear List, Based on Interviews with 26 Recordists
Paul Virostek has been doing a very nice interview series at his site Creative Field Recording, talking with several field recordists, mostly about the gear they use and their processes, techniques, etc. There’s also another two posts from there: a roundup…
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composing electronic music – a new aesthetic, by curtis roads
“Composing electronic music – A new aesthetic” is a new book by Curtis Roads to be published in July (update: that’s for the printed version, because the ebook is already available, at least at google play) which promises to be offer “new…
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A Beginner’s Guide to Field Recording, by Lawrence English
Great article by Lawrence English at FACT: A Beginner’s guide to field recording In Peter Szendy’s provocative book Listening, he presents two related questions: “Can one make a listening listened to? Can I transmit my listening, unique as it is?” It’s…
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Tim Prebble’s Field Recording Tips
Sound designer Tim Prebble has published a fantastic post with lots of field recording tips, and he encourages you to contribute to the list! Check out the original post at the always inspiring musicofsound blog. I know there are a lot of…