glitch

  • Ryoichi Kurokawa – Unfold

    Ryoichi Kurokawa – Unfold

    Science is not art and art is not science, but both can dialogue, and giving nowadays possibilities around technologies –not just in terms of the production and instrumentation, but also in the sense of consciousness and the exploration of new…

  • tatsuro kojima – refraction and reflection

    tatsuro kojima – refraction and reflection

    Sounds are ambiguous, hanging between fragility and strength, within the evanescent nature and its tendency to presence, which in listening is nothing but the delicacy of a meeting with the sense of texture: the concrete-abstract cycle here reflected by Kojima in a…

  • The post-digital condition – nomadism, fluidity and micromaterialism towards listening in the contemporary age

    Originally published at Italian Magazine Blow-up. Translated by Laura Domínguez. “The digital revolution is over” It’s almost fifteen years now since Nicholas Negroponte, founder of MIT Media Laboratory in Cambridge, declared the trigger effect of radical transformation generated by digital…

  • bwave – pixels echo

    bwave – pixels echo

    pixels echo project 2015 | sound & visual: a ming, hong qile | edit: mao by bwave

  • noisy skeleton

    noisy skeleton

    “To an artificial mind, all reality is virtual. Noisy skeleton is an immersive and interactive installation that explores the link between sound, space and artificial intelligence. From complete control to accidental reaction, the spectactor is completly surrounded by abstracts visuals…

  • infinite grain 03: gintas k

    infinite grain 03: gintas k

    [infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] Gintas Kraptavicius is an artist from Lithuania. Over the years, he has explored different disciplines…