microsound
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ryoko akama, bruno duplant & dominic lash – next to nothing
What is what happens when we transfer sound? It is amazing to hear the exchange of languages and possibilities, how the sound composition is woven in time, real-time, in the passing of the figures, forms and directions which, with or without reason, are established…
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steve roden – flower and water
There are sound universes available only for ears without references, self-banished from the lands of language in order to achieve a way of listening that lies deep in the roots of all things, an intensively acousmatic world; hidden, although causal and present, where…
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ᴷ – lumi
Granular situations that happen between long and massive structures of time can be shaped in a way that leads the listening act into suspension, letting the listener transcend gravity at least from his own stay in the universes of sound, those subtler than…
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asmus tietchens – fahl
There’s an implicit analytical pursuit over listening, a way of tuning the ear in order to make it able to explore the exact possibilities of the microsonic in the relationships exposed into the macro forms as such. Asmus Tietchens clearly…
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sakana hosomi + chihei hatakeyama – frozen silence
Sonic worlds establish border relationships within the listener, in which the ears reveal its own limits but also its own possibilities, pointing to the similarity between the sound of reality and the reality of sound. Such phenomenon, makes possible to freeze our…
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steinbrüchel – parallel landscapes
microsound is like weaving texture from its basic corpuscles, as steinbrüchel sonically (and visually) reveals in this beautiful fantasy, drawn in a meticulous way that “highlights a profundity to listening that only arrives with consideration and contemplation, moreover in time”, as Lawrence English writes in…