Listening
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haptic – excess of vision
In the concrete (in)substantiality of sounds, all categories tend to be fuzzy, vague and useless. The invisible experience reveals the inconsistency of the listening phenomena in regard to common adjectives given to other sensory objects, here offering a successive fluid…
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chris strickland – animal expert
We carry sounds from one place to another and thereby places from one sound to another; blending what’s occupied with the content itself, such as in Animal expert where, without getting attached to a single compositional line, Chris Strickland achieves a remarkable…
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Open Call: Sound Works for Brooklyn Acoustic Ecology Festival
The Musical Ecologies series continues April 16th thru 18th with a three-part festival of Acoustic Ecology co-curated by composers Andrea Williams and Dan Joseph. Coined by the Canadian composer and theorist R. Murray Schafer in the 1970s, the term acoustic ecology…
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Liminaria 2014: Tracking Borders
Interesting mini-documentary on the work of Liminaria 2014, featuring interviews with curator Leandro Pisano and sound artists France Jobin (Canada) and Tessa Elieff (Australia). Liminaria aims at narrating the territory of Fortore, a marginal rural region located in the South of…
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Technical Unconscious, by John Grzinich
John Grzinich & audio students, FBAUP SINTOMAs e Efeitos Secundários — 2013 | FBAUP, Porto – i2ads.org/sintoma
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danny clay – ganymede
Listening is matchless, so ineffable in its own language that only the act of detention is able to glimpse the real state of a composition, or even the listener as such. True to this premise is ganymede, an album by Danny Clay that…