Sonic Arts
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Jordan Lacey: Some thoughts on the contemporary Urban-Nature Division
A note from the editor, on Sonic, Social, Distance: In an interview with Digicult, Salomé Voegelin describes, “I understand sound, exactly because of its formless in-between nature”.[1] As more than a third of the planet’s human population has gone into…
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Call for Works: Online Sound Art Exhibition @ CRiSAP
Lisa Hall from CRiSAP is curating an online sound art exhibition, calling “for sound works that explore the sonic condition of our cities around the world, interrogating how our urban spaces have been built in sound, and what our sonic…
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Journal of Sonic Studies 19 ─ Sounds of Latin America
The latest issue of the Journal of Sonic Studies is now available online. “The editorial team of The Journal of Sonic Studies (JSS) is happy and proud to announce that JSS19 is online now. Please click here for the Table of Contents…
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Sight and Sound: The Cinema of Walter Murch
This feature-length documentary, viewed and enjoyed by legendary film editor and sound designer Walter Murch himself (“The Conversation”, “Apocalypse Now”), was culled by Jon Lefkovitz from over 50 hours of Murch’s lectures, interviews, and commentaries. Jon Lefkovitz is an award-winning filmmaker…
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Speculative Noise and Premonitory Matter: An Interview with Jorge Barco
(Translated from the original published at Sonic Field in Spanish) To ask about the borders between science, art and speculation is ambiguous. Although the categories that we have created over the years have forced us to separate the disciplines and…
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Salomé Voegelin: “I understand sound, exactly because of its formless in-between nature”
Digicult has published a wonderful interview with Salomé Voegelin, conducted by Leandro Pisano, where they talk about several issues around Voegelin’s research ideas, specially her perspectives around the political possibility of sound, which is the central topic of her latest…