techniques

  • In Pictures: BBC Sound Effects Room (Circa 1920)

    In Pictures: BBC Sound Effects Room (Circa 1920)

    Wonderful picture collection of a classic BBC sound effects room. “At the BBC a sound effects room used from the 1920s onwards was full of an eclectic mix of items from bells to brooms used to create the noises that…

  • A Field Recording Gear List, Based on Interviews with 26 Recordists

    Paul Virostek has been doing a very nice interview series at his site Creative Field Recording, talking with several field recordists, mostly about the gear they use and their processes, techniques, etc.  There’s also another two posts from there: a roundup…

  • Untitled post 15217

    Understanding the Art of Sound Organization Leigh Landy The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music…

  • A Beginner’s Guide to Field Recording, by Lawrence English

    A Beginner’s Guide to Field Recording, by Lawrence English

    Great article by Lawrence English at FACT: A Beginner’s guide to field recording In Peter Szendy’s provocative book Listening, he presents two related questions: “Can one make a listening listened to? Can I transmit my listening, unique as it is?” It’s…

  • Creative Miking Techniques, by Diego Stocco

    Creative Miking Techniques, by Diego Stocco

    Diego Stocco has released their third tutorial video from his Feedforward Sound series. From my point of view, even in these days where plugins, controllers and apps have become important tools for music production and sound design, being able to…

  • spatiality in acousmatic music, by denis smalley

    spatiality in acousmatic music, by denis smalley

    CIRMMT Distinguished Lectures in the Science and Technology of Music. Denis Smalley, City University, UK / 23 January 2014 – Tanna Schulich Hall.