sound

  • Fragments of Extinction, An Eco-acoustic Research

    Fragments of Extinction, An Eco-acoustic Research

    Run by “sound artist, researcher and eco-acoustic composer” David Monacchi, Fragments of extinction is a multi-disciplinary research process based on soundscape exploration, based on Bernie Krause’s acoustic ecology theories, but also involving diverse explorations around field recording, sonic data interpretation, and…

  • Environmental Sound Artists: In Their Own Words, New Book

    Environmental Sound Artists: In Their Own Words, New Book

    Edited by Frederick Bianchi and V. J. Manzo and to be published by Oxford University Press on August 25 (July 12 on Amazon), Environmental Sound Artists is a new book exploring traditional and novel issues around the art of environmental sound:…

  • kouichi okamoto – re-rain

    kouichi okamoto – re-rain

    Cycles of nature, energy, matter and movement. There is a process of the cosmos which is expressed among different forces and dimensions of the universe, not just collapsing but getting renewed on each microsonic perception, such as the one of…

  • Call for Residencies – Tsonami International Sound Art Festival 2016

    Call for Residencies – Tsonami International Sound Art Festival 2016

    “Tsonami International Sound Art Festival, is now receiving submissions for this year’s edition … from artists, theoreticians, researchers, architects or any interested parties, to develop proposals of sound research projects that will take place in the city of Valparaíso, Chile, within the…

  • Studio Unknown Podcast

    Studio Unknown Podcast

    “The First Official StUnCast (Studio Unknown Podcast), Episode 101 “Hawaii I/O” dives into 2 different recording experiences had by Partner and Supervising Sound Editor Matt Davies MPSE, and Sound Editor Rich Bussey while they were having separate holidays in Hawaii.…

  • Yui Onodera – semi lattice

    Yui Onodera – semi lattice

    Sound appears as ghostly seeds of memory that eventually unfold as a universe in which there are infinite listening possibilities. Today’s compositional approaches, such as the one subtlety identified in Yui Onodera clearly expose the multi-dimensional experience of the sonic, always calling for a…