Listening
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Interview with Ryoko Akama
On August of 2016 I had the privilege to meet, share the bill and play with Japanese artist Ryoko Akama in the cozy venue of Fuse in Bradford, England. Ryoko is a very active artist who has played in concerts…
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Pauline Oliveros, Deep Listener (1932 – 2016)
Exactly one month ago, artist and theorist Pauline Oliveros passed away, but her legacy remains in our hearts, where, as she knew and taught, our listening experience expands. Among a wide variety of things she did in her extensive career, she…
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The Sound of Memory Symposium: Sound-track/Sound-scape, Call for Submissions
The Sound of Memory Symposium has opened a call for submissions for upcoming events taking place between 22 and 24 April 2017 at London, in two locations: Zilkha Auditorium: Whitechapel Gallery and Goldsmiths, University of London. “Proposals are invited for academic papers, study…
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Dirty Ear, A Research Platform for Contemporary Sound Studies and Sound Art
With six editions already, Dirty Ear Forum is a project of Errant Bodies dedicated to explore sound studies and sound art in contemporary processes, embracing the multiplicity of sound’s practical and theoretical perspectives. “In particular, the project aims…
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![Sound Thought 2017 – Labora[R]tio, Call for Submissions](https://sonicfield.org/wp-content/uploads/2016/12/sound-thought-2017-125x125.png)
Sound Thought 2017 – Labora[R]tio, Call for Submissions
Sound Thought has opened a call for recitals, installations and performances for the 2017 edition of the festival, which will take place between May 10 and 12, 2017 at the Centre for Contemporary Arts in Glasgow, Scotland. Deadline for submissions of…
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Towards a “New” Sonic Ecology, Lecture by Marcel Cobussen
In his inaugural lecture as as professor in Auditory Culture at the University of Leiden, Marcel Cobussen, researcher, founder of the Journal of Sonic Studies and recently co-editor of The Routledge Companion to Sounding Art, exposed a fascinating idea around…