Composition
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robert curgenven – sirène
Sonic waves invite to contemplate a perspective of spacetime elasticity that is open to be (un)controlled by the composer, for which Curgenven’s Sirène serves as a splendid example: an absorbent passage that without stopping to be sinister and enchanting, allows a unique openness to complete immersion…
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infinite grain 07: fabio perletta
[infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] The possibility of experimenting with microsound realms opens space for new forms of expression…
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389
Carnets Africains ERIC BROITMANN (Obs 2014) Review by Chris Whitehead Although the sounds are from Africa, the place Eric Broitmann explores in his triptych Carnets Africains is the continent of memory. One capacity of the human brain is to gather…
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ennio mazzon – ceriselcicles
The territories of listening have a multi-dimensional behavior, so combining them through algorithmic systems, exposes the reality of the sonic space into an intimate point that requires new approaches to the notion of proportion, magnitude, layers and events. Ceriselcicles relates sound to…
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lawrence english – wilderness of mirrors
Sounds are fantasy, ruins in a stream of history in which listening is a mere faint mirage left by a precipitous concatenation of resonances found within transition, dispossession and expropriation. In a careful approach to the sonic continuum, Lawrence English immerses listening…
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morpheme
Excerpt of the a/v work Morpheme by Electric Indigo (audio) and Thomas Wagensommerer (video), original duration 28 minutes. All sounds are derived from a 9 seconds long audio recording of one phrase: “To let noise into the system is a…