Musique concrete
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102
Forma y percepción. DAVID VÉLEZ (Impulsive Habitat 2012) Situation Recently I received a book through the post called Vanished Ocean. I was distractedly reading through fragments of this during my second full experience of David Velez’s ‘Forma y percepción’. In…
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Harbour. LASSE MARC RIEK (Herbal International 2010) Harbors are locations where we can find beautiful incidental sonorities and narratives. The constant movement, the quietness, the friction and the materials, the rust, the textures; the sounds we hear, the sounds we don’t…
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97
The Field Reporter Radio #5 programmed by uncredited [soundcloud url=”http://api.soundcloud.com/tracks/41568214″ iframe=”true” /] 1. (fragment) ISZ from Form 01 from “Forms” (Inside 2011) 2. (fragment) CHRIS WHITEHEAD from Tethys from “Gryphaea” (Obs 2012) 3. (fragment) THE BEIGE CHANNEL from Part One from “The Nail House of…
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White hole states. ÁKOS GARAI (White_line 2012) State 1: The shards formed by the cracking of the acrylic ice on top of a synthetic lake in some unknown alien environment scrape their abrasive edges together. The air (or whatever gas…
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Lind, raud, aastaajad. YANNICK DAUBY, JOHN GRZINICH, MURMER (Invisible Birds 2012) Spring is floating in the air. One can feel it, our bodies know it, and there’s probably no better time to creep into “Lind, Raud, Aastaajad”, an ensemble of…
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93
The fields remain while the recorder has long vanished. D’INCISE (Impulsive Habitat 2012) “Je dirai peu de chose de ce qui arriva ensuite” (Maurice Blanchot). D’incise nous donne beaucoup à écouter dans cette pièce au nom poétique “The fields remain…