Retrospectives
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2013 in retrospective IX (345)
2013: The year in retrospective. Part X –CHRIS WHITEHEAD– Sound composer. Editor at The Field Reporter. Three triggers -or three tigers- Text by Chris Whitehead In a huge hangar of a toy shop, full of dead air and Christmas shoppers,…
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2013 in retrospective VIII (344)
2013: The year in retrospective. Part IX –DANIEL CROKAERT– Curator and manager of Mystery Sea and Unfathomless labels. Editor at The Field Reporter. Summary by Daniel Crokaert In 2013, soundwise, and more particularly related to field recordings, although I don’t want…
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2013 in retrospective VII (343)
2013: The year in retrospective. Part VII –SEBASTIANE HEGARTY– Sound composer, artist. 2013: listen again Two highlights for me this year were the Mass Observation exhibition at the Photographers Gallery and The Bride and the Bachelors: Duchamp with Cage, Cunningham,…
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2013 in retrospective VI (342)
2013: The year in retrospective. Part VI -JAY DEA LOPEZ- Sound composer, writer. Editor at The Field Reporter. Chief at Sounds like noise. Listening Text by Jay-Dea Lopez We listen subjectively. Rarely could listening be described as an objective process:…
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2013 in retrospective V (341)
2013: The year in retrospective. Part V -SETH COOKE- Sound composer. Summary, text and photos by Seth Cooke Some concerts I enjoyed in 2013: Clive Henry (Splitting the Atom, Brighton) Kathy Hinde (Café Kino, Bristol) Henry Collins, Joe Kelly &…
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2013 in retrospective IV (340)
2013: The year in retrospective. Part IV –CAITY KERR– Article by Caity Kerr Writing about sonic art practice is problematic. It’s too easy for the whole project to collapse into discussions about individual tastes or become a treatise on technology. Occasionally a…