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Video documentation of Salomé Voegelin and Brandon LaBelle @ FASE Sound Art Festival
Spanish Sound Art Festival FASE 6 has uploaded some videos with full performances/lectures by Salomé Voegelin and Brandon LaBelle, plus a dialog on “aurality and environment” with both artists. Aurality and Environment: A dialog with Salome Voegelin, Brandon LaBelle and Alex Arteaga “How do aurality and…
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Journal of Sonic Studies: Materials of Sound, Call for Papers
The Journal of Sonic Studies has opened a call for papers for their upcoming issue on “materials of sound” edited by Caleb Kelly. Deadline for abstracts is 31 March. Deadline for papers is 31 July. “Materiality is a constant and contested topic in contemporary art.…
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Sound Art Matters, Full Lectures by Brian Kane, Frances Dyson, Wolfgang Ernst and Cathy Lane
The Faculty of Arts of Aarhus Universitet has uploaded videos of four full conferences from the past Sound Art Matters Conference 2016, covering sound art from different approaches as exposed by well-known scholars. Art: Sound: Matter by Frances Dyson Now that “sound art” is an accepted…
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ISSTA 2017 — Sound-makers: Technologies, practices and cultures, Open Call
The Irish Sound, Science and Technology Association (ISSTA) has opened a call for papers and works for the upcoming 2017 edition of their annual event, which will take place at Dundalk Institute of Technology, Ireland, between 7th-8th, 2017, under the topic of Sound-makers: technologies, practices…
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New Books: Between Air and Electricity, Ludic Dreaming, Beyond Unwanted Sound, Musical Encounters With Deleuze and Guattari
Bloomsbury has announced four upcoming books on sound related topics. Below are links to ebook versions, although all of them are also available in paperback and hardcover. Click on each title for more info. Between Air and Electricity — Microphones and Loudspeakers as Musical Instruments By…
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Silentium – Exploring spirituality in electroacoustic music
This text describes the processes of composing Silentium, an electroacoustic piece conceived during a residency in Prague in December 2015 [1]. The piece interrogates the notion of spirituality in electroacoustic music by utilizing sounds of religious origin and ponders on their effect on studio work…
