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imaginal acoustics: on subtle listening, sound-shapes and time
Last year I invited Kim Cascone to the university for one of his Dark Stations concerts. Dark Stations is a 42-minute piece for a meditating audience based on a 3.1 diffusion system: the listeners sit in darkness within a triangular speaker array, a sub-bass speaker in the centre. The…
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f901 mix #3 – richard chartier
tracklist
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steve roden & stephen vitiello – live in bordeaux, feb 22, 2014
Steve Roden and Stephen Vitiello performing at Eclats in Bordeaux on February 22nd, 2014. Duration : 37 minutes. The video opens on an abstract of STRIATIONS, a film by Steve Roden shown that evening. Shots on LIGHT READINGS, a video by Stephen Vitiello, appear in…
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france jobin – the illusion of infinitesimal
One single point, to another single point. With no time, only sound. Listening is maybe the art of touching the infinite, at least when sound comes in such delicate way as France Jobin does it on her latest album. It allows to listen to a…
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The MoKS Residency An article by Jay-Dea Lopez During November-December 2013 I had the privilege of staying at the MoKS residency in the small village of Mooste, Estonia. This part of the world was only known to me through the recordings and words of John Grzinich yet…
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![quark: how does the invisible sound? [Q1]](https://sonicfield.org/wp-content/uploads/2014/03/Q01-cover-125x125.png)
quark: how does the invisible sound? [Q1]
By using Cconfin, custom software “inspired by elementary particles interactions and a physical phenomenon known as Colour Confinement”, molecular sonic events are finely manipulated and placed in a fascinating set of compositions by Ennio Mazzon, France Jobin, Robert Crouch and Franz Rosati for F901, printing their…
