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The Disruptive Nature of Listening, by Hildegard Westerkamp
Hildegard Westerkamp has published in her site at SFU a transcription of the keynote address at the International Symposium on Electronic Art, held in Vancouver, Canada in August 18 this year. Below is the abstract: A true state of listening cannot be acquired by force. The…
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Sound Passages: Passaggi di Suono, Symposium @ IUAV
New symposium to happen in November 16 at the The Architecture University of Venice (IUAV), with the participation of Enrico Coniglio (Galaverna, Archivio Italiano Paesaggi Sonori) and several CRiSAP speakers: Angus Carlyle, Cathy Lane (Co-directors), John Wynne (Reader), Ximena Alarcon (Research Fellow), Lisa Hall (Research Administrator) Iris Garrelfs (Associate Lecturer,…
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Sound Art Matters 2016, Conference, Call for Papers
Aarhus University in Denmark has announced Sound Art Matters 2016, an international sound art conference to happen in June 1 to 4 next year. They have also opened a call for papers in several fields of research and various forms of presentation/writing. Deadline for papers…
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Framework:afield: Artificial Memory Trace – Mm_Konkretol
Slavek Kwi aka Artificial Memory Trace, who previously released the amazing Afrifton work here at Sonic Terrain, has compiled a wonderful mix for framework radio, featuring field recordings from the Mmabolela wildlife reserve in Limpopo, South Africa. The included sounds come from some participants of the…
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Nature’s Voice – Soundscape, Biophony, Music and Science, Course with Bernie Krause
Schumacher College is offering a new course on soundscape with sound researcher and musician Bernie Krause…
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Tsonami 2015: Audio Fiction – Sonic Imagination and Urban Speculation
Based in Valparaiso/Santiago, Chile, Tsonami is probably one of the most important international sound art festivals and certainly highly significant for south american sound exploration and practices, not only reflected on their always fine selection of artists, concerts, installations and workshops which happen in their…
