Chronicles

  • Recording UK Ambiences

    Recording UK Ambiences

    A Sound Effect has published an article by sound designers Andrew Kirk and Richard Simpson on recording materials for their latest library. At RSAudio this year we have been spending a lot of time making a series of surround (5.0)…

  • 291

    291

    Two years ago The Field Reporter published its first article (a review of Load by Signed Liden). 730 days later and 290 articles later we hope that the reviews and editorials published have prompted relevant questions, reflections and ideas in regard…

  • A Short History of Acoustic Ecology

    A Short History of Acoustic Ecology

    Great audio documentary produced by Chris Wood, Camara Miller and Nathan Clarkson and mastered by Magdalena Kasperek dedicated to acoustic ecology and published at The Banff Centre Blog. A Short History of Acoustic Ecology’ is part one of our two-part…

  • Sound and Vision Blog

    Sound and Vision Blog

    Check out this great blog from the British Library called Sound and Vision. The Sound and Vision blog is written by curators, cataloguers, engineers and other staff from the sound and moving image departments of the British Library. From digitisation projects…

  • Seaworthy on Field Recording for “Wood, Winter, Hollow”

    Seaworthy on Field Recording for “Wood, Winter, Hollow”

    Cameron Webb is an ecological researcher who also creates some great music under the name of Seaworthy, using mostly field recordings. He has published an interesting article at his blog, talking about his process on listening and recording, specially talking…

  • Inside the world of a wildlife audio expert

    Inside the world of a wildlife audio expert

    Chris Watson, who has worked on Attenborough’s Frozen Planet and Life in the Undergrowth, shares a remarkable insight into sound recording, some exclusive clips – and his feelings about music in wildlife shows Full article