Author: David Vélez
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The acoustic aesthetics of kitchens: food sounds / cooking and sonic art / interview with Lee Patterson
Introduction (food sounds) Cooking sounds resonate between the interest they draw in contemporary culture and the neglect in which we have been under-hearing them for many years. It is addressed by Tara Brabazon, a researcher in Cultural Studies, in her…
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Ethical and Aesthetic Considerations on Rêvolutions by Céleste Boursier-Mougenot
Introduction Today a growing group of sonic artists engage with plants as collaborators in their processes and creations. The duo Feral Practice invites audience members to sound walks in forests to reflect on ecological and social issues in the vicinity…
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Solidarity, Empathy and Otherness in Ethnographic Artistic Collaboration: The Work of León David Cobo
León David Cobo is a Colombian artist who works with sound, community field work, and listening, and has a practice operating somewhere between sound art, ethnomusicology, anthropology and ethnography. His work with vulnerable communities who have been exposed to violence…
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The sonic possibility of written matter: Tomás Cabado, Sergio Merce and Catriel Nievas
When I first heard Especies de Basilea by Tomás Cabado, Sergio Merce and Catriel Nievas -composed by Cabado- , I felt immersed in an enclosed space in which the stream of sounds that it projects, brought warmth and comfort to…
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Impoder, Vulnerability and Resistance: The Work of María Leguízamo
(Ensayo de Transferencia) Photos courtesy of 45 SNA Sound art researcher Brandon LaBelle suggests that ivisibility operates in the possibility of breaking apart the linguistic structures by detaching the signifier of the sound from its signified. The idea of the…
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Eco part 7: Liliana Rodríguez Alvarado
Liliana Rodríguez Alvarado is a Mexican artist with a very interesting job especially in sound improvisation. This is why we interviewed her at Sonic Field. Find the interview in Spanish and English. Q How and when do you find sound…