Author: Daniel Crokaert

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    Exotic exit. VANESSA ROSSETTO (Kye 2012) Review by Daniel Crokaert Some cracked asphalt in vintage washed-out colors… In the mid-distance, a deserted parking zone, and perhaps a stranded motel or shopping mall in a no man’s land… The sleeve of…

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    202

    What Are The Roots That Clutch. MURMER (Helen Scarsdale Agency 2012) Review by Daniel Crokaert How to associate sounds from different timbre & origins, and give them the strength & cohesion of the real capture while imparting them an increased…

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    187

    Instamatic: snowdonia. JEZ RILEY FRENCH (Engraved Glass 2012) Review by Daniel Crokaert In his Instamatic series, Jez riley French invites us to share his moments of fortunate listening like they are, without make-up nor intellectualizations, retouches or alterations of the…

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    169

    Thief. LANCE AUSTIN OLSEN (Infrequency 2012) Above all, originator of strong abstract visuals, Lance Austin Olsen has gradually curled up into the hank of sound experimentations…
Here, from a despicable tabloid event, and the definitive evaporation of a section of his…

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    147

    Trazado oculto. JUAN JOSÉ CALARCO (Mandorla 2012)  ‘Trazado Oculto’ is about the enigmatic, the guessed forms behind the translucent, the moving of sounds in the built space… without knowing anything about their identity, their genesis, our ears are confronted at…

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    132

    Spectral territories Pt 1. ARTIFICIAL MEMORY TRACE -Slavek Kwi- ( Tentacles Of Perception 2012) Since long ago, Slavek Kwi has become a master in the art of sound structuring.  Meticulous listener, often nomad, he has probably made a habit of writing down…