Computer music

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Interview with Grant Smith by Maria Papadomanolaki Maria Papadomanolaki interviews artist Grant Smith about a new project entitled Reveil/soundCamp. Grant S...

Trees

trees is a research project conducted by the Institute for Computer Music and Sound Technology (ICST) in collaboration with the Swiss Federal Institute for For...

Exclusive Interview with Yiorgis Sakellariou

photo by John Grzinich Mecha/Orga, aka Yiorgis Sakellariou is a sound artist/composer from Greek, currently living in England. He has done CD and virtual rele...

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Interview with Slavek Kwi by Tobias Fischer Complementary disconnections As he puts it himself, Ireland-based sound artist Slavek Kwi is "obsessed by freedom":...

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Ars abscondita JOAO CASTRO PINTO (OtO 2013) Article / interview by David Vélez 'Ars abscondita' is an interesting release by composer Joao Castro Pinto. I...

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Processes and Potentials BJARNI GUNNARSSON (3LEAVES. 2013) Review by Jay-Dea Lopez “Processes and Potentials” is the latest work by Icelandic composer Bjarn...

Exclusive Interview with David Vélez

Photo by Lina Velandia David Vélez is probably one of the most active sound artists you find over the Internet. He has been leading projects such as Impulsive ...

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The grey area that we inhabit Editorial by David Vélez Recently I have noticed a tendency in acousmatic composers* to move away from the recorders, micropho...

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Interview with Francisco Meirino by Chris Whitehead Francisco Meirino lives in Lausanne, Switzerland and has been active in the field of experimental music ...

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The Diary Of  The Second Officer. REZO GLONTI (Time Released Sound 2012) Une telle musique peut faire vaciller l'âme. L'artiste géorgien Rezo Glonti distill...

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A while and awhile. FRANCISCO MEIRINO (Obs 2012) I have seen a photograph of an open case which is absolutely stuffed full of black cables and wires. Next to...