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The Field Reporter Radio #24 ‘#1’ by DAVID VÉLEZ The dazzling and intriguing sounds of dropping splashing water. [bandcamp width=100% height=142 track=4207849672 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small] Recordings made with Microphones, hydrophones and contact microphones. * Photo: Lina Velandia David…
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2013 in retrospective XI (347)
2013: The year in retrospective. Part XI –FLAVIEN GILLIÉ– Aporee ma mémoire, fragment, ébauche d’un texte à venir. Texte de Flavien Gillié Ecrit ici pour le Field Reporter, sur ce qui m’a marqué en 2013, et me marquera sans doute…
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2013 in retrospective IX (345)
2013: The year in retrospective. Part X –CHRIS WHITEHEAD– Sound composer. Editor at The Field Reporter. Three triggers -or three tigers- Text by Chris Whitehead In a huge hangar of a toy shop, full of dead air and Christmas shoppers,…
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2013 in retrospective VII (343)
2013: The year in retrospective. Part VII –SEBASTIANE HEGARTY– Sound composer, artist. 2013: listen again Two highlights for me this year were the Mass Observation exhibition at the Photographers Gallery and The Bride and the Bachelors: Duchamp with Cage, Cunningham,…
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2013 in retrospective V (341)
2013: The year in retrospective. Part V -SETH COOKE- Sound composer. Summary, text and photos by Seth Cooke Some concerts I enjoyed in 2013: Clive Henry (Splitting the Atom, Brighton) Kathy Hinde (Café Kino, Bristol) Henry Collins, Joe Kelly &…
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Aesthetics and the Art of Audio Field Recording
Nice article by Steven M. Miller at Trebuchet. When approaching audio field recording (often referred to as ‘phonography’) as a sound art practice, inevitable questions of aesthetics surface. The common attitude often expressed or implied runs something along the lines…