sonic arts
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Marcus Fischer’s Words of Concern for Critical Times
Sound artist and composer Marcus Fischer started a project just the day before January 20th, 2017, date in which the new president of the United States started his government period, arising all kind of reactions which probably you already know well.…
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Journal of Sonic Studies, 13th Issue: Acoustic Ephemeralities
A new (13th) issue of our beloved Journal of Sonic Studies has been published and is available online. This edition was coordinated by guest editors Monika Dommann, Boris Previšić, and Marianne Sommer and has been focused on the idea of acoustic…
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Adam Basanta’s ‘Small Movements’, the Fragile Dialogue Between Feedback, microsound and Tiny Spaces
We have before featured Adam Basanta’s work, which has been predominantly developed on installations in which he uses miniature audio systems, controlled feedback, kinetic structures and a fantastic dialogue of both small and big spaces to create intricate works both aural and conceptually…
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Sonic Cyberfeminisms, Call for Contributions
University of Lincoln, UK, has opened a call for contributions –including papers, workshops and performances– for upcoming Sonic Cyberfeminisms conference, to take place 5-6th May this year. “In recent years, the relationship between sound, gender and technology has gained increasing attention.…
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Between Tension and Echoes: The Sonic Spaces of Rubén D’Hers
Venezuelan artist Rubén D’hers has published some video documentation of his latest sculptures/installations, such as jaula nerviosa, in which modified birdcages serve as sound sculptures in which resonance is activated by a set of strings, tables, piezos, transducers, motors and even…
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Dirty Ear, A Research Platform for Contemporary Sound Studies and Sound Art
With six editions already, Dirty Ear Forum is a project of Errant Bodies dedicated to explore sound studies and sound art in contemporary processes, embracing the multiplicity of sound’s practical and theoretical perspectives. “In particular, the project aims…