mark peter wright
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Listening After Nature: Field Recording, Ecology, Critical Practice
Listening After Nature examines the constructions and erasures that haunt field recording practice and discourse. Analyzing archival and contemporary soundworks through a combination of post-colonial, ecological and sound studies scholarship, Mark Peter Wright recodes the Field; troubles conceptions of Nature;…
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Listening Protocols
Listening Across Disciplines has an interesting research idea at the basis of their project, related to “listening protocols“, which are aimed to “help stablish and legitimize listening as a reliable research methodology across disciplines”. Historically, benefits of listening have been…
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A Manifesto for Care-ful Listening (listening for everything)
Listening Across Disciplines has published a wonderful manifesto result of their Points of Listening public event held at the De La Warr Pavilion. “… we conducted participatory experiments in care-ful listening. Through the workshop process we created collaborative manifestos, guidelines, protocols…
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Evental Aesthetics: Sound Art and Environment
The latest issue of Evental Aesthetics is dedicated to sound art and environment. Guest editor is Gascia Ouzounian. These are the contents: Editorial. Rethinking Acoustic Ecology: Sound Art and Environment The Noisy-Nonself: Towards A Monstrous Practice Of More-Than-Human Listening, by…
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Interference: Sound Methods
Some weeks ago a new issue of Interference journal was published, featuring great essays by Mark Peter Wright, Iain Foreman, Kim Cascone, Leandra Lambert, among others. For this issue of Interference we invited papers that addressed any aspect of auditory cultures but…