art

  • Untitled post 14988

    Dirty Ear Report #1 Zeynep Bulut (Contributor), Budhaditya Chattopadhyay (Contributor), Ole Frahm (Contributor), Anja Kanngieser (Contributor) Dirty Ear Report* offers a new platform for sonic research, in which leading sound artists and theorists gather to discuss radio art, field recording,…

  • Sound Thought 2017 – Labora[R]tio, Call for Submissions

    Sound Thought 2017 – Labora[R]tio, Call for Submissions

    Sound Thought has opened a call for recitals, installations and performances for the 2017 edition of the festival, which will take place between May 10 and 12, 2017 at the Centre for Contemporary Arts in Glasgow, Scotland. Deadline for submissions of…

  • Untitled post 14991

    Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity (Recursions) Wolfgang Ernst Our studies of aesthetics and knowledge have long tended to privilege the visual—at the expense, Wolfgang Ernst argues, of the aural. Sonic Time Machines aims to correct…

  • Untitled post 14994

    Sonic Thinking: A Media Philosophical Approach (Thinking Media) Bernd Herzogenrath Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge…

  • Muku Kobayashi – Take no Hikui-Ki no Take wa Hikui

    Muku Kobayashi – Take no Hikui-Ki no Take wa Hikui

    Take no Hikui-Ki no Take wa Hikui is a series of wooden-crafted cinematic sound devices by Japanese artist Muku Kobayashi, integrating different sounds based on analogue generators and acoustical experiments, including horns and classic oscillators. As Neural notes, “each and every device…

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    Dissonance: Auditory Aesthetics in Ancient Greece (Idiom Inventing Writing Theory FUP) Sean Alexander Gurd In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to…