Sculpture
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SCAN
In collaboration with Kaj Nielsen, Christian Skjødt Hasselstrøm, developed SCAN, “an array of rotating detectors with brass horn antennas and radio-frequency power amplifiers that scan our immediate surroundings in search of man-made signals, particularly in the microwave range. … The…
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Ethical and Aesthetic Considerations on Rêvolutions by Céleste Boursier-Mougenot
Introduction Today a growing group of sonic artists engage with plants as collaborators in their processes and creations. The duo Feral Practice invites audience members to sound walks in forests to reflect on ecological and social issues in the vicinity…
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Between Electronics and Sound: The Sculptures of Eirik Brandal
Eirik Brandal is and artist and engineer working between circuits and sound, primarily on the development of intricate sonic sculptures in which the electronic components play an important aesthetic role, also integrating light in some of them, resulting in amazing…
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Sonic, Social, Distance and Soundtracks for Strange Days, compilation Part 2
Sonic, Social, Distance As more than a third of the planet’s human population has gone into some sort of social restriction…self-isolation, social isolation, physical distancing, quarantine…since those who have the luxury of walls have gone behind them–time has…
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Impoder, Vulnerability and Resistance: The Work of María Leguízamo
(Ensayo de Transferencia) Photos courtesy of 45 SNA Sound art researcher Brandon LaBelle suggests that ivisibility operates in the possibility of breaking apart the linguistic structures by detaching the signifier of the sound from its signified. The idea of the…
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Jordan Lacey: Some thoughts on the contemporary Urban-Nature Division
A note from the editor, on Sonic, Social, Distance: In an interview with Digicult, Salomé Voegelin describes, “I understand sound, exactly because of its formless in-between nature”.[1] As more than a third of the planet’s human population has gone into…