Sonic Arts
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THE CALL OF THE WILD | Essay by Erik DeLuca
Part of the ongoing series: WAYBACK SOUND MACHINE, A CONSTELLATION OF SOUNDING TIME A message from the editor: There was a point of time in the wild, as the wild was becoming less wild, when listening became not as much an…
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Manrico Montero 1973-2018
Manrico was unquestionably one of the most influential voices of sound art and experimental music in Mexico and Latin America for almost two decades; he worked and exchanged thoughts and moments with an immense number of people all around the…
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Video interview with Ben Gwilliam
After making dozens of interviews to sound artists and experimental musicians via email for The Field Reporter and for Sonic Field, I found that my everyday life conversations with artists were so much more interesting and eloquent, so after moving…
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Sonic Mmabolela 2018, directed by Francisco López
Registration for the 6th edition of Mmabolela annual workshop/residency for sound artists & composers, directed by Francisco López and coordinated by Barbara Ellison, at Mmabolela Reserve, Limpopo, South Africa. ‘Sonic Mmabolela’ is a 2-week workshop/residency for professional and semiprofessional sound artists and…
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Uniformbooks reprinting ‘In the Field: The art of field recording’
‘In the Field‘, by Cathy Lane and Angus Carlyle is probably one of the most inspiring books on field recording/listening. It’s a valuable resource that truly deserves a reprint, which is happening on March 22 at Uniformbooks. This is unique…
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Sounding the Archives: Sounding the past towards a future living archive
A message from the author: The following is writing from an earlier time in my recent research project, Wayback Sound Machine: Sound through time, space, and place. It felt an appropriate beginning to share here as the first part of the…