Musique concrete
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200X. ISZ -Miguel Isaza- (Impulsive Habitat 2013) Review by Flavien Gillié Nous sommes avec cette parution du netlabel Impulsive Habitat invités à entendre des enregistrements de Colombie, et plus particulièrement de Llanogrande, Antioquia. Miguel Isaza y a écouté longuement puis…
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Rituel de la mort du Soleil. KASSEL JAEGER (Unfathomless. 2013) Review by Jay-Dea Lopez As the sun sets darkness closes over the region of Pellechevent, France. The distant cries of children filter into the local swampland, the sound blending with the…
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272
Exchanges across a dinner table. SIMON WHETHAM, SLAVEK KWI (Tentacles Of Perception 2013) Review by Maria Papadomanolaki After almost five years of stirring, cutting, peeling, poaching, boiling, beating, blending, chilling, dicing, grinding, kneading, melting, grapping and mincing, and pouring, and…
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Island Terminus. ADRIAN DZIEWANSKI (Gruenrekorder 2013) Review by Caity Kerr Adrian Dziewanski is a Vancouver based sound artist who, in his own words, ‘believes in the potency and poetry of musical happenstance and advocates for the benefits of active listening’.…
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tʃɔːk – eight studies of hearing loss. SEBASTIANE HEGARTY (Very Quiet 2013) Review by Jay-Dea Lopez What is the audibility of loss? This is the central question driving Sebastiane Hegarty’s latest series of recordings released under the title “tʃɔːk: eight…
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Shards Of Splinters – Fragments Of Scratches / Killustiku Killud – Kriimude Killud. TARAB -Eamon Sprod- (Semperflorens 2012) Review by Daniel Crokaert Actuator of sonorities & tireless surveyor, Eamon Sprod (Tarab) goes through his environment on the permanent alert, on…