Musique concrete
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Untitled #308 FRANCISCO LÓPEZ (Very Quiet 2013) Review by David Vélez The british label Very Quiet has allowed artists and composers to produce and publish works under the ‘very quiet’ premise and this time the turn is for Francisco López.…
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The Field Reporter Radio #21 Programmed by Cheryl Tipp Download The Field Reporter Radio #21 fragment from “Sceneries from the Castellated Wall” YASUHIRO MORINAGA (Galaverna 2012) fragment from ‘Inner Sky’ GIANLUCA FAVARON (Galaverna 2012) fragment from ‘Terra d’agua’ LUIS ANTERO (Galaverna 2013)…
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299
These Are The Good Times LONDON SOUND SURVEY -Recordings by Ian M. Rawes- (Vittelli Records 2013) Review by Chris Whitehead Italo Calvino’s book Invisible Cities tells of the young Venetian Marco Polo returning from his numerous and varied travels and entering…
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298
Tannehill Iron Works. DAVID MICHAEL (self release 2010) Review by Cheryl Tipp Sultry is the first word that comes to mind when listening to David Michael’s ‘Tannehill Iron Works’. There’s an oppressive air hanging over the piece, created by the…
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297
In St Cuthbert’s Time. CHRIS WATSON (Touch 2013) Review by Patrick Farmer The Sound of Lindisfarne and the Gospels.. A 7th century soundscape of Lindisfarne. I can’t ever seem to treat a field recording as a field recording, but what…
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296
(G)W(3). BRUNO DUPLANT, DARIUS CIUTA (Mystery Sea 2013) Review by Caity Kerr There’s no text on the CD, but there is some lovely artwork, as always with Daniel Crokaert’s labels. So if we go to the online notes we’re told that…