Musique concrete
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310
Elegy for Bangalore* BUDHADITYA CHATTOPADHYAY (Gruenrekorder 2013) Review by Maria Papadomanolaki Birthed out of an art residency in Bangalore in the autumn of 2010, Elegy for Bangalore is another incarnation of Budhaditya Chattopadhyay’ s engagement with emerging urban environments in India.…
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309
Rotterdam 54:21 ROEL MEELKOP, MECHA / ORGA -Yiorgis Sakellariou- (Monochrome Vision 2012) Review by Flavién Gillie Ce disque paru chez Monochrome Vision en 2012 est le témoignage d’une rencontre entre deux artistes, Roel Meelkop et Mecha/Orga lors d’une résidence au…
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308
Aral. D’INCISE (Mystery Sea 2013) Review by Caity Kerr ‘The desert as sea is the main idea of this piece. I recorded water in transitional state, to make music about water without a sound of it. Just its trace in…
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307
In the wake. TERJE PAULSEN (Impulsive Habitat 2013) Review by Cheryl Tipp ‘In the Wake’ by Terje Paulsen is the 73rd release from Impulsive Habitat and has been occupying my ears for the past couple of months. I’ve been struggling…
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Outcuts. DAVID HELBICH (Surfacenoise 2013) Review by Chris Whitehead In his comments on the best (and worst) of 2012, Edu Comelles set off a strand of thought in this very journal that questioned the holy conventions of what field recording…
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A measure of ground STEPHEN CORNFORD, PATRICK FARMER (Consumer Waste 2013) Review by David Vélez A pursuit for a form that works on an emotional and intellectual level acquiring some metaphoric and poetic power when effectively mediated. Exploring sounds, exploring…