Musique concrete
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Dah Eum. UNA LEE (Impulsive Habitat 2013) Review by Caity Kerr Preface I’ve been listening to two new releases which have so much in common in their treatment of natural material as musical resources that they deserve to be considered…
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315
These walls resemble absence MUFI.RE -Rui Almedia- (3Leaves 2013) Review by David Vélez There is a special quality to the work of Rui Almedia that makes his compositions particularly appealing and intriguing. I think this quality has something to do with the…
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314
Blue.Hour. YANN NOVAK (Farmacia 2013) Review by Maria Papadomanolaki Yann Novak’s Blue.Hour attempts to capture the eternity of a moment, to transpose it to audible scale; moving in tones that nonchalantly emit nocturnal vapors gradually covering the light. The ongoing…
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Leave / trace. GRISHA SHAKHNES (Glistening Examples 2013) Review by Daniel Crokaert Already praised for many impactful works under the MITES alias, Grisha Shakhnes officiates now under his own name, extending his nonconformist path… This change coincides with his vinyl debut……
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Processes and Potentials BJARNI GUNNARSSON (3LEAVES. 2013) Review by Jay-Dea Lopez “Processes and Potentials” is the latest work by Icelandic composer Bjarni Gunnarsson. Meticulously presented by the 3Leaves label “Processes and Potentials” is Gunnarsson’s attempt to explore theories of compositional…
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Focus on Nothing on Focus. FRANCISCO MEIRINO, KIKO C. ESSEIVA (Aussenraum 2013) Review by Chris Whitehead Whether it’s relevant or not I don’t know, but immediately before listening to Focus on Nothing on Focus by Francisco Meirino and Kiko C.…