Musique concrete
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Bahías. JUAN JOSÉ CALARCO, DAVID VÉLEZ (Semperflorens 2011) The background to this substantial work is simple enough. In December 2009 the artists captured their sounds from various bays near the cities of Buenos Aires and New York with the intention…
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The Field Reporter on Framework Radio http://www.frameworkradio.net/2012/02/364-2012-02-26/ To record or not to record, to process or not no process, to compose or not to compose Patrick McGinley is a key figure in the phonographic work with his radio program Framework…
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Drenaje subterráneo. PABLO RECHE, JUAN JOSÉ CALARCO (Siridisc 2012) Most often, we have a natural curiosity for the things remaining in shadowy light or invisible – probably because it links us to the fundamental Mystery of our lives… On “Drenaje…
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Taî-pak thiaⁿ saⁿ piàn. YANNICK DAUBY (Kalerne 2011) French composer and theorist Michael Chion has wrote extensive lines about the relation between sound and film in books such as “Film, a Sound Art” and “Audio Vision”. On “Audio vision” Chion writes about the…
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Breaking ice. ARTIFICIAL MEMORY TRACE -Slavek Kwi- (Tentacles Of Perception 2011) “If only, then, I had been more living out of the present–such a beautiful word…present. The sense of it being, now to me, more beautiful than ‘to look forward.” – Stan…
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Esk. CRAIG VEAR (3Leaves 2012) What does a river mean? In some cases it means an obstacle, a barrier that needs to be bridged. For wildlife it means a range of habitats, both beneath the water and along the banks.…