Musique concrete
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232 Part II
Unseen Terror. DAVID VELEZ (Echomusic 2013) Drawing and notes by Chris Whitehead Download full size image Part 1 of the review [David Vélez, photo by Lina Velandia] David Velez website Echomusic website
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Debris. JANA WINDEREN (Touch 2012) Review by David Vélez I had the opportunity to attend the conference that Jana Winderen gave at the ‘In the field symposium’ in London a few days ago and found her presentation rather technical and taxonomical which…
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235
Encore Un Peu De Ce Monde. FLAVIEN GILLIÉ (self-release 2012) Review by David Vélez Hélécine, une éolienne A dry swinging sound starts in an annoying way but after a few seconds the annoyance and dryness become enjoyable. Parc Josaphat Running water…
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233
Liudui. SHIJINGREN -Yannick Dauby, Wan-Shuen Tsai- (Liudui Hakka Cultural Park 2012) Review by Caity Kerr Here’s something which you might find wholesome. Amidst the current hype around field recording it’s refreshing to remember that for many practitioners the simple act of…
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232
Unseen Terror. DAVID VELEZ (Echomusic 2013) Review by Chris Whitehead 1. Anticipation We live our lives on the planet’s crust between the forces of meteorology and seismology. Global warming aside, we can do little to control the weather, nor do…
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231
Quelques usines fantômes. BRUNO DUPLANT (Unfathomless 2012) Review by Chris Whitehead Any object or entity we come into contact with is surrounded by allusions and ideas. They form layers in a cloud around it, and by peeling them away and…