Acousmatic
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These walls resemble absence MUFI.RE -Rui Almedia- (3Leaves 2013) Review by David Vélez There is a special quality to the work of Rui Almedia that makes his compositions particularly appealing and intriguing. I think this quality has something to do with the…
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314
Blue.Hour. YANN NOVAK (Farmacia 2013) Review by Maria Papadomanolaki Yann Novak’s Blue.Hour attempts to capture the eternity of a moment, to transpose it to audible scale; moving in tones that nonchalantly emit nocturnal vapors gradually covering the light. The ongoing…
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313
Leave / trace. GRISHA SHAKHNES (Glistening Examples 2013) Review by Daniel Crokaert Already praised for many impactful works under the MITES alias, Grisha Shakhnes officiates now under his own name, extending his nonconformist path… This change coincides with his vinyl debut……
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312
Processes and Potentials BJARNI GUNNARSSON (3LEAVES. 2013) Review by Jay-Dea Lopez “Processes and Potentials” is the latest work by Icelandic composer Bjarni Gunnarsson. Meticulously presented by the 3Leaves label “Processes and Potentials” is Gunnarsson’s attempt to explore theories of compositional…
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311
Focus on Nothing on Focus. FRANCISCO MEIRINO, KIKO C. ESSEIVA (Aussenraum 2013) Review by Chris Whitehead Whether it’s relevant or not I don’t know, but immediately before listening to Focus on Nothing on Focus by Francisco Meirino and Kiko C.…
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310
Elegy for Bangalore* BUDHADITYA CHATTOPADHYAY (Gruenrekorder 2013) Review by Maria Papadomanolaki Birthed out of an art residency in Bangalore in the autumn of 2010, Elegy for Bangalore is another incarnation of Budhaditya Chattopadhyay’ s engagement with emerging urban environments in India.…