Acousmatic
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Exchanges across a dinner table. SIMON WHETHAM, SLAVEK KWI (Tentacles Of Perception 2013) Review by Maria Papadomanolaki After almost five years of stirring, cutting, peeling, poaching, boiling, beating, blending, chilling, dicing, grinding, kneading, melting, grapping and mincing, and pouring, and…
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270
Sunset Soundrise. FRÉDERIC NOGRAY (Very Quiet 2012) Review by Maria Papadomanolaki Frederic Nogray’s Sunset Soundrise falls into the rainforest field recordings category. I was intrigued when I read on the press release that during the process of installing his equipment…
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269
Island Terminus. ADRIAN DZIEWANSKI (Gruenrekorder 2013) Review by Caity Kerr Adrian Dziewanski is a Vancouver based sound artist who, in his own words, ‘believes in the potency and poetry of musical happenstance and advocates for the benefits of active listening’.…
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268
It just ain’t flapping. VA AA LR -Vasco Alves, Adam Asnan and Louie Rice- (Consumer Waste 2013) Review by Patrick Farmer Finally! Hallelujah! Eureka! Top Horn! An album I can truly enjoy for no reason at all. It just ain’t…
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266
Niche constructions. THOMAS BESLEY (Impulsive Habitat 2013) Review by Cheryl Tipp There’s little wonder why field recordists choose to visit Madagascar. Cloaked in an air of exoticism and full of intriguing species that can be found nowhere else on Earth,…
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265
tʃɔːk – eight studies of hearing loss. SEBASTIANE HEGARTY (Very Quiet 2013) Review by Jay-Dea Lopez What is the audibility of loss? This is the central question driving Sebastiane Hegarty’s latest series of recordings released under the title “tʃɔːk: eight…