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Dirty Ear Report #1 Zeynep Bulut (Contributor), Budhaditya Chattopadhyay (Contributor), Ole Frahm (Contributor), Anja Kanngieser (Contributor) Dirty Ear Report* offers a new platform for sonic research, in which leading sound artists and theorists gather to discuss radio art, field recording, noise, real-time work, voice and…
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Eco: Interviews about the exploration of sound in Latin America by female artists. Elizabeth Polanco
In Greek mythology, Echo (Eco) was a nymph from whose mouth came the most beautiful words. Once upon a time Zeus wife Hera became jealous of Echo and she cursed her so she could only repeat the last words uttered by other people. Following that, Echo fell in love…
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![Sound Thought 2017 – Labora[R]tio, Call for Submissions](https://sonicfield.org/wp-content/uploads/2016/12/sound-thought-2017-125x125.png)
Sound Thought 2017 – Labora[R]tio, Call for Submissions
Sound Thought has opened a call for recitals, installations and performances for the 2017 edition of the festival, which will take place between May 10 and 12, 2017 at the Centre for Contemporary Arts in Glasgow, Scotland. Deadline for submissions of abstracts and proposals is February…
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Aural Superimpositions: Olivia Block on Sonic Architecture and Sonambient Pavilion Installation
Here’s an excerpt from a recent talk by sound artist Olivia Block in which she exposes her approach to sound in relation to architecture, specifically in her recent Sonambient Pavilion, where she explored some interesting topics around sounds, materials, shapes, textures, layers, spaces, etc. Sonambient Pavilion was…
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Resonance and Remembrance: An Interdisciplinary Bell Studies Symposium, Call for Papers and Works
University of Michigan has opened a call for papers and works for Resonance and Remembrance: An Interdisciplinary Campanology Symposium, which will take place from Friday, March 31 to Sunday, April 2, 2017, with bells as the main topic of exploration, specifically tower bells, which “are hidden in plain…
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Sound Maps in the 21st Century
Interesting reflection by sound artist John Kannenberg around sound maps and its current possibilities, challenges and meaning. “Sound maps are boring. Why? I would argue it’s because they’ve become stuck in a rut that began when the idea of ‘sound map’ became synonymous with online,…
