• Eco part 3: Cecilia López

    Eco part 3: Cecilia López

    This is the third part of Echo, a series of interviews of Latin American female artists. This time I interviewed Cecilia López, an artist from Argentina, who I had the privilege to meet and see performing in Phill Niblock´s Experimental Intermedia space on NYC on 2015, and…

  • Klingt gut! Symposium 2017, Call for Papers/Works

    Klingt gut! Symposium 2017, Call for Papers/Works

    “The Hamburg University of Applied Sciences and the Audio Engineering Society Hamburg Student Section are pleased to announce the third installment of klingt gut! International Symposium on Sound at the Arts and Media Campus in Hamburg. For three days, international artists and scientists will present…

  • Christoph Cox on The History of Sound Art, Full Lecture

    Christoph Cox on The History of Sound Art, Full Lecture

    Here’s an interesting lecture philosopher Christoph Cox gave recently (January 18) in connection with a sound intervention by Andrea Hornick in the Collection Gallery of Barnes Foundation.

  • ‘Sounds emergent: diverse ecologies’, New Issue of Soundscape: The Journal Of Acoustic Ecology

    ‘Sounds emergent: diverse ecologies’, New Issue of Soundscape: The Journal Of Acoustic Ecology

    It’s great to know about a new issue of the classic Soundscape journal of acoustic ecology, published under the topic of ‘Sounds emergent: diverse ecologies’, in a renewed website that went online recently. It can be downloaded at World Forum for Acoustic Ecology (PDF) Contents…

  • Eco part 2: Alma Laprida

    Eco part 2: Alma Laprida

    This is the second part of Echo, a series of interviews of Latin American female artists. This time I interviewed Alma Laprida, an artist from Buenos Aires, Argentina, whose work with sound has been drawing my attention for some time now. Here the interview. Q. How and when you…

  • Takanobu Hoshino – Untitled

    Takanobu Hoshino – Untitled

    At one time Japanese sound artist Takanobu Hoshino’s art was seemingly concerned with the crackling Geiger counter air of his home city Fukushima. The ubiquitous residual glint of radioactivity permeated his creations, for example the CD ‘Fukushima’, a collaboration with Roel Meelkop, contained tracts of near silence…