Featured
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The otherwise heard, that I become, by Brandon LaBelle
Vía Swamp Pavilion: Experiences of listening may be understood to weaken us, making us vulnerable to the intensities of worldly contact and each other. Reflecting upon particular modes of listening, from the empathic to the migratory, understandings of sharing and…
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Eco part 6: Julia Nanda Bejarano López
Julia Nanda Bejarano López is an artist from Colombia working in many interesting sound projects, and in Sonic Field we wanted to know more about them and the process behind. Q. How and when did you identify sound as the…
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THE BIG BANG and what we left behind (or, hearing loss) | Essay by Samuel Hertz
A message from the editor… How time passes, and how time is felt passing, how time is personal and ever changing its costumes and definitions. Within that what is a moment. Within that what is an event. What is shared,…
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Eco part 4: Xareni Lizárraga
Last year I interviewed Xareni Lizárraga a very interesting artist from Mexico. A few years ago I had the privilege to work with her when I curated her beautiful release Pasto# 1 on Impulsive Habitat and ever since I became…
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Wayback Sound Machine, A sonic constellation compilation Part 3
A message from the editor: This Sonic Constellation Compilation is part of the ongoing series: WAYBACK SOUND MACHINE, A CONSTELLATION OF SOUNDING TIME, which asks What can we gather from sounding the past–and with that in mind, what is…
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New books: Sound Studies Companion, Amplification, Audint
Here are three new books for you to explore: The Routledge Companion to Sound Studies Edited by Michael Bull Routledge The Routledge Companion to Sound Studies is an extensive volume presenting a comparative and historically informed understanding of the workings of…