Author: eme isaza
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‘The World is Sound’ Exhibition Relates Sound and Tibetan Buddhism
Curated by Risha Lee, ‘The World is Sound‘ is an exhibition at the Rubin Museum of Art (New York) in which sound and listening are explored from the perspective of Tibetan Buddhism. On view/listen between June 16, 2017 and January…
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Towards a more sonically inclusive museum practice
Science Museum Group Journal has published an interesting article by John Kannemberg, curator at the museum of portable sound: Towards a more sonically inclusive museum practice: a new definition of the ‘sound object’ As museums continue to search for new…
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Reflections on Process in Sound, Fifth Issue Now Available
There is a wonderful new issue of Reflections on Process in Sound, featuring fresh and deep ideas towards sound and listening. “This current edition of Reflections on Process in Sound, amazingly, is the fifth issue since 2012, when I started the…
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Ryoji Ikeda’s latest work is an orchestra of sine wave synths playing through 100 cars
As part of RBMA L.A Festival, Ryoji Ikeda presented a new piece called A [for 100 cars], another one based in his exploration of sine waves. This time the concert was done through the custom sound systems of 100…
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The World is Sound @ Robin Museum
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“The Ears Between Worlds Are Always Speaking”, Amplifying Opera through Sonic Weapons in Aristotle’s Lyceum
The Ears Between Worlds Are Always Speaking is a sound project by Postcommodity, presented at this year’s Documenta 14 art exhibition, which took place in Kassel, Germany, and Athens, Greece. “The Ears Between Worlds Are Always Speaking is a long-form, 2 channel hyper-directional…