Author: Jay-Dea Lopez
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Interview with Sebastiane Hegarty part I by Jay Dea Lopez Sebastiane Hegarty is an artist, writer and lecturer. His creative practice is interdisciplinary and time-based, including: sound, installation, photography, performance, drawing and text. His work is concerned with memory through an…
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Circle wind HIROKI SASAJIMA (Felt Collective 2013) Review by Jay-Dea Lopez Night-time. Without light to guide us we are reliant upon auditory cues. Surrounding us are the sounds of an unfamiliar nocturnal terrain. Clicks and pops emerge from the shadows,…
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Terra Subfonica. DANIEL BLINKHORN (Gruenrekorder 2013) Review by Jay-Dea Lopez Sounds that exist beyond the periphery of our consciousness have a curious way of burrowing their way into our mind. They pulse below us, somewhere in the margins, yet they exert…
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Sabbion. ENRICO CONIGLIO (Green Field Recordings 2013) Review by Jay-Dea Lopez There have been several studies by field recordists into the various tonalities of water – Enrico Coniglio’s latest work “Sabbion” may be one of the finest to join this body.…
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Helgoland. LASSE MARC-RIEK (Gruenrekorder 2013) Review by Jay-Dea Lopez Field recordists often demonstrate the concept of place through its indigenous sounds. Another approach considers how present-day sounds reveal layers of history. The latter is an intriguing practise. What events have…
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Rituel de la mort du Soleil. KASSEL JAEGER (Unfathomless. 2013) Review by Jay-Dea Lopez As the sun sets darkness closes over the region of Pellechevent, France. The distant cries of children filter into the local swampland, the sound blending with the…