Author: fieldreporter

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    First half of 2012 in retrospective: A few words plus the noteworthy releases listed by The Field Reporter editors Over the first half of 2012 The Field Reporter reviewed almost 100 phonographic-based releases on its quest to to keep its…

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    Emerging territories. LUÍS ANTERO, JAY-DEA LOPEZ (LEA 2012)  What makes a phonography work effective? What makes a phonographic work worthy of more interest and appeal than others? Is it the equipment? The location? The focus of the recorder’s attention? The moment? At the end…

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    40:31. MECHA / ORGA (Impulsive Habitat 2012) Track 1 [16:49] for the most part is a long study in broadband noise, sea by the sound of it. It eventually picks up momentum and amplitude in the middle with a hint…

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    The Field Reporter Radio #8 programmed by John McEnroe [soundcloud url=”http://api.soundcloud.com/tracks/46960966″ iframe=”true” /]   1. (fragment) Agujero imperfecto. CARLOS VILLENA from ‘Mil aún no es uno” -with VACIO PERFECTO- (Mantricum 2012) 2. (fragment) Iesc. TARAB from ‘Acquiescence’ (Kaon 2012) 3. (fragment) The…

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    Environments 1: Psychologically ultimate seashore. IRVING SOLOMON TEIBEL (Atlantic 1974 / 1987) ‘The music of the future isn’t music’. This bold statement made almost forty years ago becomes quite interesting when we actually read it ‘in the future’, in 2012. The author…

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    Silver. RICHARD GARET (Obs 2012) In his creative process Richard Garet is always exploring new methods, new sources, new materialities and new media; this rigorous and explorative process has been delivering a progressively clearer vision of something Garet foresees and envision as an artist,…