2022
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The acoustic aesthetics of kitchens: food sounds / cooking and sonic art / interview with Lee Patterson
Introduction (food sounds) Cooking sounds resonate between the interest they draw in contemporary culture and the neglect in which we have been under-hearing them for many years. It is addressed by Tara Brabazon, a researcher in Cultural Studies, in her…
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Listening to the In-Between
ArtEZ studium generale is launching a new three-part podcast series called Listening to the In-Between, dedicated to the broad context of Deep Listening, following Sounding Places, Listening Places, a podcast series they did last year, dedicated to explore how sound…
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What Sounds Do – Open Call for Papers
Inspired by the conference WHAT SOUNDS DO which took place September13-16, 2022 in Copenhagen, Seismograf Magazine is opening a call for audio and research papers on the topic, for a new special issue that points to “new directions in an…
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Quantum Listening, Pauline Oliveros’ Manifesto for Listening as Activism
Ignota has published Pauline Oliveros’ Quantum Listening manifesto, with introduction by IONE, foreword by Laurie Anderson and illustrations by Aura Satz. “What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of…
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Listening and Polyphony – Philosophy, Aesthetics, Art
The Polish Journal of Aesthetics has published a new issue dedicated to “Listening and Polyphony. Philosophy, Aesthetics, Art”, with 186 pages and contributions of 15 authors. “Listening and Polyphony: Philosophy, Aesthetics, Arts,” a special issue of The Polish Journal of…
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Sounding Women’s Work
Over this year, Seismograf Magazine has published two special issues entirely dedicated to women in sound, called “Focus Sounding Women’s Work”, in which they aim “to put sound to the professional minority of artists who identify as women, […] to…