Musique concrete

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Untitled #308 FRANCISCO LÓPEZ (Very Quiet 2013) Review by David Vélez The british label Very Quiet has allowed artists and composers to produce and publish ...

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The Field Reporter Radio #21 Programmed by Cheryl Tipp Download The Field Reporter Radio #21 fragment from "Sceneries from the Castellated Wall" YASUHIRO ...

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These Are The Good Times LONDON SOUND SURVEY -Recordings by Ian M. Rawes- (Vittelli Records 2013)  Review by Chris Whitehead Italo Calvino's book Invisible ...

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Tannehill Iron Works. DAVID MICHAEL (self release 2010)  Review by Cheryl Tipp Sultry is the first word that comes to mind when listening to David Michael’s...

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  In St Cuthbert's Time. CHRIS WATSON (Touch 2013) Review by Patrick Farmer The Sound of Lindisfarne and the Gospels.. A 7th century soundscape of Lindisfarn...

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(G)W(3). BRUNO DUPLANT, DARIUS CIUTA (Mystery Sea 2013) Review by Caity Kerr There’s no text on the CD, but there is some lovely artwork, as always with Dan...

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34:13 Ambeliona. MECHA / ORGA -Yiorgis Sakellariou- (Triple Bath 2012) Review by Daniel Crokaert Yiorgis Sakellariou a.k.a. Mecha/Orga manipulates field record...

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The Field Reporter Radio #20 'Bruere Allichamps' by TESSA ELIEFF Curated by Cheryl Tipp Download 'Bruere Allichamps' by TESSA ELIEFF These field recording...

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Two years ago The Field Reporter published its first article (a review of Load by Signed Liden). 730 days later and 290 articles later we hope that the review...

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Untitled for (Agnes Martin) BEN OWEN, SCOTT ALLISON (Winds Measure 2013) Review by Flavien Gillié Peindre et s'effacer. Un long silence emplit l'atmosphère...

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A Sound Map of the Housatonic River. ANNEA LOCKWOOD (3Leaves 2013) Review by Cheryl Tipp ‘A Sound Map of the Housatonic River’ is the latest instalment in A...

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Terra Subfonica. DANIEL BLINKHORN (Gruenrekorder 2013)  Review by Jay-Dea Lopez Sounds that exist beyond the periphery of our consciousness have a curious w...