Electroacoustic

188

Interview with D'Incise by John McEnroe Over a span of six months D'Incise released 'The field remains while the recorder has vanished', 'Praire' and 'Are f...

182

Are fishes nihilist? (all this is not realistic) D'INCISE (Kaon 2012) Review by John McEnroe There is an interesting text written by D'Incise Feraille on t...

178

Spheres. ISZ -Miguel Isaza- (Audiotalaia 2012) Review by John McEnroe Miguel Isaza is a sound artist from Medellin, Colombia and ISZ is a 'electroacustic' p...

177

Concert for no-one. SIMON WHETHAM (Impulsive Habitat 2012) Review by Flavien Gillié Capturer l'essence d'un lieu, le faire résonner sans pour autant s'effa...

173

The Field Reporter 1st anniversary One year ago The Field Reporter published its first review (Load by Signed Liden). 365 days later and 172 reviews later we...

171

Prairie. D’INCISE (Obs 2012) The genre of drone music has found a powerful voice in Swiss composer D’incise. During the past decade he has worked on several ...