sound
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What Sounds Do – Open Call for Papers
Inspired by the conference WHAT SOUNDS DO which took place September13-16, 2022 in Copenhagen, Seismograf Magazine is opening a call for audio and research papers on the topic, for a new special issue that points to “new directions in an…
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A Year of Deep Listening
A Year of Deep Listening is a wonderful idea from the Center of Deep Listening aimed to present 365 Listening scores, one each day, beginning on Pauline Oliveros’ 90th birthday: May 30, 2022. The celebration remembers the invaluable legacy of…
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Listening After Nature: Field Recording, Ecology, Critical Practice
Listening After Nature examines the constructions and erasures that haunt field recording practice and discourse. Analyzing archival and contemporary soundworks through a combination of post-colonial, ecological and sound studies scholarship, Mark Peter Wright recodes the Field; troubles conceptions of Nature;…
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Hiss and a Roar: Tim Prebble’s Vault of Sonic Inspiration
Hiss and a Roar is a library founded by the talented New Zealand-based sound designer Tim Prebble, whose work has been featured here at Sonic Field in the past. Its core idea is to provide raw elements for sound design…
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Between Electronics and Sound: The Sculptures of Eirik Brandal
Eirik Brandal is and artist and engineer working between circuits and sound, primarily on the development of intricate sonic sculptures in which the electronic components play an important aesthetic role, also integrating light in some of them, resulting in amazing…
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Scott Sherk | Listening to:
A message from the editor: Sonic, Social, Distance As more than a third of the planet’s human population has gone into some sort of social restriction…self-isolation, social isolation, physical distancing, quarantine…since those who have the luxury of walls have…