art

  • ruins in the distance

    ruins in the distance

    “The title can hopefully act as a reminder of what all our efforts as a species and a society may amount to if we do not take the necessary precautions to safeguard against our own demise. The audio component is…

  • Invisible Places | Sounding Cities

    Invisible Places | Sounding Cities

    A city is a place of diversities. Its rhythms are sometimes contrapuntal, sometimes synchronous. We live in a city of multiple destinations and routes—spaces populated by sounds, smells, gestures, visions, exchanges, encounters, and feelings. We have a better a city…

  • garden of signals

    garden of signals

    “garden of signals” expands upon the use of audio feedback in earlier sound works, forming an autonomous sonic artwork that uses feedback as a sound material and as a process. more info

  • infinite grain 03: gintas k

    infinite grain 03: gintas k

    [infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] Gintas Kraptavicius is an artist from Lithuania. Over the years, he has explored different disciplines…

  • infinite grain 02: yann novak

    infinite grain 02: yann novak

    [infinite grain is a series of interviews inspired on microsound procedures, exploring a wide variety of topics in dialogue with artists who work with sound on installation, composition and improvisation] Sometimes the words space, light and sound mean different things. Sometimes, all of…

  • interview with ryoichi kurokawa

    interview with ryoichi kurokawa

    by s|edition art.