Computer music
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The grey area that we inhabit Editorial by David Vélez Recently I have noticed a tendency in acousmatic composers* to move away from the recorders, microphones, computers, samplers and synthesizers in order to explore sculptoric objects and in general explore a less acousmatic…
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Interview with Francisco Meirino by Chris Whitehead Francisco Meirino lives in Lausanne, Switzerland and has been active in the field of experimental music since 1994. His work explores the tension between programmable material and the potential for its failure. He…
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The Diary Of The Second Officer. REZO GLONTI (Time Released Sound 2012) Une telle musique peut faire vaciller l’âme. L’artiste géorgien Rezo Glonti distille ici de savoureuses mélodies ambiantes intimement mêlées à des parcelles sonores, ses souvenirs ou ceux de…
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A while and awhile. FRANCISCO MEIRINO (Obs 2012) I have seen a photograph of an open case which is absolutely stuffed full of black cables and wires. Next to these is a metal box with eleven knobs on, each one…
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The Pier. IAN HOLLOWAY (Quiet World 2012) The pier in Holloway’s title was once home to a bustling entertainment site. Built in Swansea, Wales, its elegant Victorian architecture stretches over 200 metres into the local bay. It is now in…
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Environments 1: Psychologically ultimate seashore. IRVING SOLOMON TEIBEL (Atlantic 1974 / 1987) ‘The music of the future isn’t music’. This bold statement made almost forty years ago becomes quite interesting when we actually read it ‘in the future’, in 2012. The author…