Sound art
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234
Quies. PETER LENAERTS (Very Quiet Records 2013) Review by Chris Whitehead As a boy I remember going down with a bunch of schoolkids into one of the Blue John caverns deep beneath the Derbyshire hills. The guide said “we’re now…
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233
Liudui. SHIJINGREN -Yannick Dauby, Wan-Shuen Tsai- (Liudui Hakka Cultural Park 2012) Review by Caity Kerr Here’s something which you might find wholesome. Amidst the current hype around field recording it’s refreshing to remember that for many practitioners the simple act of…
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232
Unseen Terror. DAVID VELEZ (Echomusic 2013) Review by Chris Whitehead 1. Anticipation We live our lives on the planet’s crust between the forces of meteorology and seismology. Global warming aside, we can do little to control the weather, nor do…
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231
Quelques usines fantômes. BRUNO DUPLANT (Unfathomless 2012) Review by Chris Whitehead Any object or entity we come into contact with is surrounded by allusions and ideas. They form layers in a cloud around it, and by peeling them away and…
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230
Eye of Newt. QUEIXAS (Insubordinations 2013) Review by Caity Kerr Abdul Moimême: two prepared guitars, objects / Cyril Bondi: bass drum, objects / D’incise: laptops, objects The helvetico-portuguese trio, formerly known as “diatribes & abdul moimême”, founded in 2009, abandons the ego in…
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229
Letter from John Grzinich Yesterday I received a letter / manifesto from John Grzinich about some articles and topics discussed recently in The Field Reporter. I am going to publish it order to continue the series of exchanges prompted by our journal in regard to the…