Phonography

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    Wā jiè méng xūn. YANNICK DAUBY (Ini Itu 2013) Review by Caity Kerr Yannick Dauby’s wā jiè méng xūn is a vinyl release on the very fine ini itu label. Two track of 18 minutes each make up the music…

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    Radions Fågel Skivor -collection- STURE PALMÉR and other uncredited crew (The Swedish Broadcasting Corporation 1958-67) Review / research by Cheryl Tipp From 1958-1967, The Swedish Broadcasting Corporation, then known as Sveriges Radio, published a series of birdsong EPs under the title…

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    Rituel de la mort du Soleil. KASSEL JAEGER (Unfathomless. 2013) Review by Jay-Dea Lopez As the sun sets darkness closes over the region of Pellechevent, France. The distant cries of children filter into the local swampland, the sound blending with the…

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    Exchanges across a dinner table. SIMON WHETHAM, SLAVEK KWI (Tentacles Of Perception 2013) Review by Maria Papadomanolaki After almost five years of  stirring, cutting, peeling, poaching, boiling, beating, blending, chilling, dicing, grinding, kneading, melting, grapping and mincing, and pouring, and…

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    Sunset Soundrise. FRÉDERIC NOGRAY (Very Quiet 2012) Review by Maria Papadomanolaki Frederic Nogray’s Sunset Soundrise falls into the rainforest field recordings category. I was intrigued when I read on the press release that during the process of installing his equipment…

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    Island Terminus. ADRIAN DZIEWANSKI (Gruenrekorder 2013) Review by Caity Kerr Adrian Dziewanski is a Vancouver based sound artist who, in his own words, ‘believes in the potency and poetry of musical happenstance and advocates for the benefits of active listening’.…